Thursday, July 02, 2009

Moving Work of Art




Ukraine's Got Talent. This is a brilliant narrative piece about Ukraine during WWII by sand artist Kseniya Simonova. She has a stunning mastery of her medium and a strong expression. Appearing on Ukraine's version of Britain's Got Talent, her dramatic performance goes far beyond a Susan Boyle talent act. She brought the audience both to tears and to their feet. Poignant and powerful.

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Sunday, June 28, 2009

Revolution Revelation-Lifting the Veil

This sweltering heat wave puts my head in a simmer and my thoughts bubble against the hard edge of the world. Summer has hit at last, the tomatoes will finally redden and the gardenias are popping with perfumed abandon in the lusty atmosphere. But the tender greens are scorching, the nasturtiums are crisply brown on their edges and our skin is burning beneath the SPF 30 sunblock. We're all wilted, housebound and draped over the furniture, panting and out of production. The face of global warming emerges. The House just passed the Climate Bill but will the Senate rise to the occasion? And is it enough and in time? So many "chaos points" arising. Now or never moments in history when we collectively decide, will we let it break down or will we find a breakthrough. Beneath the thin flashy veneer of sensationalistic news stories, scandal and celebrity, are the real cruxes and crossroads. The ACESA Clean Energy bill. The rare chance to have real insurance of health care in America (H.R. 676) and most riveting of all, the revolution taking place in Iran. I've been following closely the widening gyre of dissent that began when the election in Iran went sour. Ahmadinejad's "landslide victory" was declared before the polls closed and the "official" numbers were beyond belief. It was the proverbial straw hitting the camel's back. For Iranians living for decades with a government that professed "the participation of the entire people in determining their political, economic, social and cultural destiny" (article 3.8 of the Iranian constitution) and yet voting meant choosing one of a handful of candidates selected by the Supreme Leader, the country's religious authority. It must have felt like a mask finally being torn away when the government began beating old people in the street and shooting young women through the heart. People surged in protest and outrage at the unequivocal revelation that their vote was an empty exercise and their "democracy" a sham. After weeks of relentless demonstrations in the streets of the larger cities and despite a brutal and bloody crackdown on the "rioters", an air of determination persists. There is no turning back. Something's cracked, fallen away, a veil lifted, a sense that the wheel is turning. 70 percent of Iran's population is under the age of 30, most of them urban dwellers. A demographic that is most definitely tuned to the future and they want change.

(It has been illuminating seeing the photos and videos leaking out of the cracks in the communication lockdown. I saw a country I didn't recognize. A fresh impression of "the other" that exposed fragile threads of connection and kinship with these Muslim brothers and sisters caught up in this human drama. My thoughts are with them.)

Painting: Eye of Khaos-A New Green World by moi. Painted while the economy was crashing earlier this year.

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Wednesday, April 29, 2009

A Beautiful Bed Ad



It is amazing and heartening to me to come across this Spanish ad for a bed featuring a peaceful powerful home birth. How potent advertising can be when advocating something truly worthwhile. Too much ingenuity is wasted on pushing corn syrup sodas and gas guzzlers.

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Tuesday, April 14, 2009

Making Waves

Tuesday, March 24, 2009

Same Planet, Different Worlds

Oh, the crazy imbalances on this planet just tear me up. I know there are endless plights of woe crying for attention but this got to me. When I was first pregnant and wanted to have my baby at home, the challenge of being female in a modern world became a medical issue. Living in a society where technological innovation is the guiding star and our connection to the natural world is pinched off at the root, I had to work my ass off to keep my body and baby from "medical intervention". The key unspoken word here being unnecessary. For those uncommon life-threatening situations that can occur despite careful prenatal care and screening, living in a developed nation is an unequivocal blessing. But I wanted to start out trusting, expecting the best and allowing Nature to do her thing unencumbered. For me that meant saying no to many well meant but overused medical trends.


No artificial induction. No Pitocin drip to jumpstart contractions, relentless against an unripe cervix, perhaps causing fetal distress and thus requiring, voila...an emergency cesarean! An all too common scenario. No demeaning shave/enema, no hookups to machines that restrain free movement, no laboring prone, no drugs to cloud my experience and my baby's brain, no routine episiotomy, no separation of mama and baby, no formula, no bottles. None of that. This translated for me as no hospital. I wanted to walk through the tall grass in the orchard while laboring and give birth on my own bed, quietly, in the natural light with the windows open. Insisting, intuiting, educating myself, choosing wise support in an experienced midwife, staying grounded and vigilantly slipping out of the grip of cultural fear was a full time effort. I ultimately had my daughter (both of them) naturally and safely at home but as a white American woman of the industrialized West it strikes me as deeply ironic that I felt compelled to resist the medical service that is a symbol of my privileged life. What I saw as meddling in my healthy process could have been a godsend to a women living in desperate conditions halfway around the globe. And that gets to me.

I recently stumbled on a hauntingly poignant documentary that moved me to action. Nova's A Walk To Beautiful deals with the devastating reality of obstetric fistula in Third World countries. If it's not enough being born a woman in a place where hard physical labor is your childhood duty, food is scanty, marriage comes early and childbirth too soon, add another brutal layer to the mix. Physical injury and damage from obstructed labor is common in countries where women are undernourished and thus stunted, their pelvic bones too small to allow the birth of their babies. So not only are their babies stillborn but the physical outcome is often obstetric fistula, a deterioration or hole between the birth passage and internal organs (often those of elimination) resulting in permanent incontinence of urine or feces. It is an epidemic and literally millions (WHO estimates 2 million) women worldwide, primarily throughout Africa and Asia, suffer from this. Shunned by their husbands, families and communities only because of their foul smell, most exist in heartbreaking isolation, living in tiny makeshift huts or begging on the street. They suffer terrible depression and a debilitating sense of worthlessness. Not surprisingly, many commit suicide. Absolutely tragic.

All the more so because this condition can be remedied in most cases by simply stitching closed the fistula. A $300 medical procedure. The film focuses on the work of Dr. Catherine Hamlin, an Australian woman who in 1974 co-founded Addis Ababa Fistula Hospital in Ethiopia, the world's only hospital exclusively dedicated to offering free treatment to poor women suffering from childbirth injuries. The camera offers an agonizingly intimate view into the lives of a few of these young women as they struggle with utter despair, then discover that thread of hope and follow it (sometimes hundreds of miles) to this hospital haven at the heart of Ethiopia, burgeoning with flowers, bright spaces, clean linens, accepting faces and kindred sufferers. Both harrowing and buoyantly joyful, the film is a beautiful invitation to help our less privileged sisters. I was moved to contribute money to The Fistula Foundation and am now inspired to tithe a percentage of the proceeds from the sale of my artwork to further this needed work.

The film can be viewed in chapters at the PBS site here.

Photo: Wubete, one of the young women in the documentary.

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Saturday, March 07, 2009

Two Bees

Or not two bees, that was the question. (Sorry, couldn't resist). Nevertheless, this was the case. Last year I painted a wee juicy bee that attracted a little buzz. Even after the original sold, the image held its allure and I considered painting more eye/heart/bees. Last week I committed to the contemplated continuum and produced two more in the series. Bee 2 and Bee 3. Each now has a home but there are more in the works.

Blurry shot: two 6 x 6 canvases, Bee #3 and Bee #2

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Monday, March 02, 2009

Happy Birthday, Theodor Geisel